{"id":248,"date":"2018-07-13T11:25:03","date_gmt":"2018-07-13T10:25:03","guid":{"rendered":"http:\/\/guycuthbertson.com\/?page_id=248"},"modified":"2024-07-06T13:33:38","modified_gmt":"2024-07-06T12:33:38","slug":"ww1","status":"publish","type":"page","link":"https:\/\/guycuthbertson.com\/index.php\/ww1\/","title":{"rendered":"WW1"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-275 aligncenter\" src=\"http:\/\/guycuthbertson.com\/wp-content\/uploads\/2018\/07\/IMG_20180220_135739-768x1024.jpg\" alt=\"\" width=\"500\" height=\"667\" srcset=\"https:\/\/guycuthbertson.com\/wp-content\/uploads\/2018\/07\/IMG_20180220_135739-768x1024.jpg 768w, https:\/\/guycuthbertson.com\/wp-content\/uploads\/2018\/07\/IMG_20180220_135739-225x300.jpg 225w, https:\/\/guycuthbertson.com\/wp-content\/uploads\/2018\/07\/IMG_20180220_135739-203x270.jpg 203w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Although most of my publications have been focused on Edward Thomas, Wilfred Owen and the Armistice, I have also published on some other areas of the First World War, including the following:<\/p>\n<p>&nbsp;<\/p>\n<p>On British poetry of the First World War:<\/p>\n<p>\u2018Capturing Home: British First World War Poetry\u2019, <em>British Literature in Transition, 1900-1920: A New Age?<\/em>, ed. James Purdon (Cambridge University Press, 2022), pp. 122-35.<\/p>\n<p>&nbsp;<\/p>\n<p>On Rupert Brooke:<\/p>\n<p>\u2018Warwickshire\u2019s Adlestrop: Rupert Brooke in the Forest of Arden\u2019, <em>War Poetry Review, 2014-15<\/em><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p dir=\"ltr\" lang=\"en\" style=\"text-align: center;\">In the War Poetry Review 2014-15 I talk about Rupert Brooke and Hampton-in-Arden <a href=\"http:\/\/t.co\/0MGtpirNJl\">http:\/\/t.co\/0MGtpirNJl<\/a> <a href=\"http:\/\/t.co\/aoVY3h03jx\">pic.twitter.com\/aoVY3h03jx<\/a><\/p>\n<p style=\"text-align: center;\">\u2014 Guy Cuthbertson (@guywjc) <a href=\"https:\/\/twitter.com\/guywjc\/status\/612982062862213120?ref_src=twsrc%5Etfw\">June 22, 2015<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: center;\"><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>On Dymock Poets:<\/p>\n<p><a href=\"https:\/\/www.oxforddnb.com\/view\/10.1093\/ref:odnb\/9780198614128.001.0001\/odnb-9780198614128-e-100255\">\u2018Dymock Poets\u2019<\/a>\u00a0[a \u2018Reference Group\u2019 essay], <em>The Oxford Dictionary of National Biography<\/em>, online edition, Oxford University Press (published October 2009) [www.oxforddnb.com\/view\/theme\/100255]<\/p>\n<p>&nbsp;<\/p>\n<p>On Jon Stallworthy:<\/p>\n<p>\u2018The Leading Scholar of War Poetry\u2019, <em>Oxford Magazine<\/em>, 355 (Noughth Week, Hilary Term)<\/p>\n<p>\u2018War and the Poet\u2019, <em>English<\/em>, 64 (Summer 2015)<\/p>\n<p>\u2018War\u2019s Lives, Lies and Legacies\u2019, a review essay on <em>Survivors\u2019 Songs: From Maldon to the Somme<\/em>, by Jon Stallworthy, <em>Twentieth-Century Literature<\/em>, lv, 3 (Fall 2009)<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p dir=\"ltr\" lang=\"en\" style=\"text-align: center;\">Chaucer&#8217;s &#8216;parfit gentil&#8217; Knight appears on these two memorials to officers killed in 1915 (at Cartmel and Hawarden) <a href=\"https:\/\/t.co\/pMJvOg75mj\">pic.twitter.com\/pMJvOg75mj<\/a><\/p>\n<p style=\"text-align: center;\">\u2014 Guy Cuthbertson (@guywjc) <a href=\"https:\/\/twitter.com\/guywjc\/status\/1122106896620621824?ref_src=twsrc%5Etfw\">April 27, 2019<\/a><\/p>\n<\/blockquote>\n<p style=\"text-align: center;\"><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\" data-lang=\"en\">\n<p dir=\"ltr\" lang=\"en\" style=\"text-align: center;\">Clitheroe war memorial <a href=\"https:\/\/t.co\/tQcWj0beZf\">pic.twitter.com\/tQcWj0beZf<\/a><\/p>\n<p style=\"text-align: center;\">\u2014 Guy Cuthbertson (@guywjc) <a href=\"https:\/\/twitter.com\/guywjc\/status\/1101938569629892608?ref_src=twsrc%5Etfw\">March 2, 2019<\/a><\/p>\n<\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p>I was interviewed by Cal Flyn for <a href=\"https:\/\/fivebooks.com\/best-books\/poetry-of-the-first-world-war-guy-cuthbertson\/\">Five Books<\/a> about &#8216;The Best Books on Poetry of the First World War&#8217; in March 2023.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<blockquote class=\"twitter-tweet\">\n<p dir=\"ltr\" lang=\"en\">NEW:<br \/>\nProf Guy Cuthbertson (<a href=\"https:\/\/twitter.com\/guywjc?ref_src=twsrc%5Etfw\">@guywjc<\/a>), author of Peace At Last and the biography Wilfred Owen (both <a href=\"https:\/\/twitter.com\/yalepress?ref_src=twsrc%5Etfw\">@yalepress<\/a>), selects the best books on the poets of the First World War.<a href=\"https:\/\/t.co\/qL7Y7SOe8K\">https:\/\/t.co\/qL7Y7SOe8K<\/a><\/p>\n<p>\u2014 Five Books (@five_books) <a href=\"https:\/\/twitter.com\/five_books\/status\/1634545185286762497?ref_src=twsrc%5Etfw\">March 11, 2023<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Although most of my publications have been focused on Edward Thomas, Wilfred Owen and the Armistice, I have also published on some other areas of the First World War, including the following: &nbsp; On British poetry of the First World War: \u2018Capturing Home: British First World War Poetry\u2019, British Literature in Transition, 1900-1920: A &hellip; <\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"https:\/\/guycuthbertson.com\/index.php\/ww1\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/pages\/248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/comments?post=248"}],"version-history":[{"count":19,"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/pages\/248\/revisions"}],"predecessor-version":[{"id":1410,"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/pages\/248\/revisions\/1410"}],"wp:attachment":[{"href":"https:\/\/guycuthbertson.com\/index.php\/wp-json\/wp\/v2\/media?parent=248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}